Integument: Duluth Art Institute George Morrison
The solo exhibit, Integument was on view at the Duluth Art Institute’s George Morrison Gallery from October 20, 2020 to December 31, 2020. For more details on events surrounding the exhibit, click here.
I was recently reminded that skin is an organ. Integument, which is the proper medical term for skin, also means any biological covering, like a husk or shell or hair. It is a protective barrier that suggests inside versus outside and a transitional surface that represents both growth and what gets left behind.
The first pieces in Integument started with weaving paper and experimenting with volume by adding wire. The overlapping strips allowed for more than one idea to intersect on a single plane while also disrupting the continuity of design. The wire provided a skeletal frame to hold form.
The desire for dimension continued with shaping paper infused with encaustic wax. This saturation process stiffens the material while also creating a translucent layer - a barrier that implies something below or beyond. When folded and contoured, the waxed paper records scars.
The folding of meaning was carried forward in the fabricated seeds, where photographic moments meet words in hand-sewn capsules. And finally, actual integumentary materials - hog casings and wool - were shaped into various forms and then released into the room.
Processes in nature are woven through this body of work. Integument can act as a tangible record of these natural transitions when you think about skin shed, or hair lost. One of my favorite things to find is the exoskeleton of an insect on a tree or beside a river. There is so much present in that moment of discovery – proof of the existence of a being that was once encased in this layer. It is a proof of time passing, of aging - something all organisms experience, for better or worse. For me, it is also proof of the wonder of nature that something can look both so delicate and transparent while maintaining the perfect shape of the subject that discarded it.
This activity is made possible in part by the voters of Minnesota through a grant from the Arrowhead Regional Arts Council, thanks to appropriations from the Minnesota State Legislature’s general fund.
Visit https://www.youtube.com/watch?v=32I3HGvIXpA to see a video compilation by Duluth Art Institute on the exhibit.
Reading text in almanac
Installation view of Integument including weavings from the Husk series, a waxed form from Moult and a partial view of Hatch
Installation view between two rooms of the George Morrison. (Left to right) Moult, Disperse (on the floor), and Hatch
Engaging with handmade seeds from Disperse
Entry way to the George Morrison Gallery with Release inviting the viewer in to “Integument”
Installation view that includes the pieces (L to R) Hatch, Moult, and the Husk, skeletal.
“scale” - a dimensional weaving hanging in the alcove at Duluth Art Institute.
(Left to right) A hog casing piece from Release, encaustic wax forms on the wall and floor from Moult and colorful seed capsules on the floor from Disperse
A piece from Release in the foreground with the seeds from Disperse and a piece from Moult in the background.
Release: hog casings wrapped around wire forms in addition to a shaped weaving that covers one “organ”